TRACY·TV #52: Dutch pavilion at Venice Architecture biennale

TRACY·TV #52: Dutch pavilion at Venice Architecture biennale

The Dutch pavilion at this year’s Architecture biennale in Venice was designed by The New Institute to look like a locker room, with bright orange doors that you could open to discover the secrets within. The theme was the future of work, now that everything, even sex, is being automated. In the main exhibition hall, Crimson created a thoughtful and attractive exhibition about the impact of migration on cities. 

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TRACY·TV #51: Albania opens new old doors in Venice

TRACY·TV #51: Albania opens new old doors in Venice

For its entry to this year’s Architecture biennale in Venice, citizens of Tirana lent their doors – a symbol of the country’s hope that the EU will open its doors to Albania. I spoke to Tirana’s mayor, the fireball Erion Veliaj, about his plans for the city and the role he sees for contemporary architecture in making the city more liveable.

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TRACY•TV #50: Places of Hope in Leeuwarden

TRACY•TV #50: Places of Hope in Leeuwarden

‘Places of Hope’ is an exhibition in the Fries Museum in Leeuwarden as part of the city’s role als cultural capital this year. Curators Maarten Hajer and Michiel van Iersel offer us an optimistic look at the future. For sure there are many problems in the world, but there are also lots of inspired people who have come up with innovative solutions. ‘Sun for everyone!’

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TRACY·TV #48: Studio Drift, the making of the exhibition at the Stedelijk Museum Amsterdam

TRACY·TV #48: Studio Drift, the making of the exhibition at the Stedelijk Museum Amsterdam

Lonneke Gordijn and Ralph Nauta, a.k.a. the Dutch design duo Studio Drift, are famous worldwide for their poetic works that mix technology with nature. They have their first solo exhibition in the Stedelijk Museum of Amsterdam, from the 25th of April until 26th of August 2018, including well-known works such as Fragile Future, the Drifter, Shylight and Amplitude. Dutch journalist Tracy Metz got the chance to take a look at the making of the exhibition and interviewed Lonneke Gordijn.

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